Stefan Roigk

Stefan Roigk

STEFAN ROIGK

Swarm

Private View: Friday, 20 February, 2009, 7pm
21 February bis 21 March, 2009

Swarm is Stefan Roigk’s first solo show at KUTTNER SIEBERT Galerie. The installation for which the exhibition is named occupies a large part of the space, although the two opposite elements made of Styrofoam, albeit wall-filling, are only quite thin. It is the accompanying sound that generates a spatial presence for the installation, and our attention is no longer limited to the optical markings of the perforated surface but locates the beholder in the midst of the work.
Swarm is marked by a fundamental ambivalence and a linked dichotomy of points of view. By and large, it is a characteristic of the installation itself, which is positioned flat against the wall, only becoming spatial and gaining volume by way of its acoustic enrichment.
The sound, which seems organic in structure, has an ambivalent relationship to the static construction, which in its subdued charm is reminiscent of the wall paneling of public offices. 
The holes reveal a layer of foam behind the paneling. The characteristics of both materials are normally used to insulate or to seal. Here, it is the surface itself that, freed from any function, becomes the object of aesthetic sensation. This autonomy of application is amplified by the consciously enacted destruction that excludes any other function beside the mere existence here. The arrangement of the holes attests to something dynamic, almost a sense of drawing. And seen as such, the paneling that strictly follows a pattern becomes a support, but where the drawing does not consist in the application but the removal of material. The structure of the sound develops analogously to the ordering of the holes, when the sound waves, static for a long time, are broken by pulse-like noises. The quality of the sound in its density, its polyrhythmic structures and the extremely distorting modulation approaches the limit of the bearable, yet underscores the withdrawn qualities of the materials used. Sound and object combine in this synthetic relation to form an expansive installation.